| For Monsieur Dior, the art of living was above all an expression of beauty, a mirror of both his aesthetic vision and his sincere taste for hospitality, sharing, friendship and the elegance of entertaining.
In 1947, just as the revolutionary New Look was about to triumph, the Plaza Athénée was born anew. The founding couturier immediately made it his favourite address, frequenting the sublime courtyard garden and dining in the shade of its parasols. He also enjoyed spending time with his inner circle at some of the most iconic venues in the City of Light, among them Les Deux Magots, Brasserie Lipp, Le Bœuf sur le Toit, Le Stresa and Le Bar des Théâtres, right near the iconic Ateliers at 30 Avenue Montaigne.
Inside the prestigious salons of Dior’s “kingdom of dreams”, silhouettes were named after his favourite establishments. In his book Dior by Dior, the couturier confided, “There were dresses named Paris, New York, Londres, Plaza, Ritz and Maxim’s, recalling the various places to which my profession called me.” Perpetuating that passion, Monsieur Dior set about producing delightfully evocative couture ensembles, christened Bonbon, Chantilly, Châtaigne and Petit Dîner for the autumn-winter 1947 haute couture show, and Pain d’épices, Poivre et sel and Réglisse for spring-summer 1951.
Moments of indulgence and festivity that punctuated the day further inspired him to create outfits for lunch, teatime, cocktails and dinner. For every occasion, there was a (new) look! |