For the Beauty
of Venice

During the pre-opening Days of the 60th International Art Exhibition of la Biennale di Venezia, the House orchestrated, in collaboration with the Venetian Heritage Foundation, an exceptional ball in support of Venetian cultural patrimony. A moment suspended in time that highlighted the richness of savoir-faire and the founding couturier’s boundless fascination with the art and magic of celebration.

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© ADRIEN DIRAND

Following the Palazzo Labia in 2019 and the Gran Teatro La Fenice in 2022, the Arsenale Vecchio in Venice – another of La Serenissima’s historic jewels – served as the setting for this unique event. Usually closed to the public, the building was transformed for the evening into a spectacular  reception hall for hosting a prestigious dinner for supporters of Venetian Heritage, artists, VIPs and friends of the House. As a tribute to the city’s symbolic, eternal connection to water, the theme of the ball was naumachia, re-enactments of naval battles that were particularly popular among the games held in Ancient Roman amphitheatres. Guests were greeted on the Arsenale’s quays by gondola-style boats – on loan from the Regata Storica di Venezia – illuminated by vibrant colours. 

Inside the velvet-clad walls, tablescapes evoking imposing vessels were decorated with enchanting centrepieces mirroring the City of Doges and its canals in sumptuous miniature reproductions. Dior called on renowned model-maker Gilberto Penzo to replicate iconic monuments, from the Campanile di San Marco to the Rialto Bridge, which were set amidst exquisite floral compositions. Reflecting Dior’s desire to celebrate and perpetuate Venetian savoir-faire, chandeliers blown and crafted in Murano showcased the excellence of the region’s master glassmakers. In a captivating dialogue between cultures and traditions, tablecloths were embellished with harlequin motifs – a subtle reference to the legendary Carnival of Venice – echoing the graphics of the emblematic cannage that graced tableware by Dior Maison.

A fundraiser to benefit the restoration of the Porta Magna in the Arsenale and the Ca’ d’Oro museum, this grandiose ceremony marked a virtuoso new link between Dior and Italy, through the prism of creativity in all its forms.

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© PIERRE MOUTON

D: Culture - News - Event - Venetian Heritage
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D: Culture - News - Event - Venetian Heritage
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Dior and Grand Balls: A Passion and a Dream

Fascinated since childhood by parties and fancy dress balls – those moments when dreams embrace reality – Christian Dior never ceased to express his admiration for sumptuous celebrations. In 1951, he participated in the “Ball of the Century” hosted by his friend Charles de Beistegui at the Palazzo Labia in Venice, for which he and Salvador Dalí created fabulous costumes. “This was the most marvellous spectacle I have ever seen, or ever shall see. The splendour of the costumes rivalled the splendid attire of the figures in the Tiepolo frescoes on the walls. (...) Parties like that are genuine works of art,” he would later confide in his memoirs*. That passion was also an inexhaustible source of inspiration, as evidenced by the Bal Vénitien, Nuit de Château, Mille et Une Nuits and Bal d’Autrefois models the couturier designed for his haute couture collections.

*Dior by Dior, Christian Dior, published in English by Penguin Books.

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