The creations seemed to undulate to the rhythm of the models’ gait. Fringe, drapes and pleating were transformed into tank tops, dresses and pants, forming evanescent silhouettes inspired by goddesses of antiquity. A sportswear wardrobe – a tribute to athletes past and present – was reinvented through a couture lexicon: the ribbing on T-shirts was replaced by a delicate grosgrain ribbon; jersey was sublimated with silk or metallic threads in multiple shades of gold. Embroidery, the expression of virtuoso savoir-faire and absolute refinement, fully adorned original pieces such as irresistible sports shirts or bathrobes embellished with countless mirrors.

References to ancient culture were also found in the accessories. Shoes, for example, borrowed the traditional shape of gladiator sandals, enhanced with straps and laces that wrapped the leg from ankle to knee. Constellated with feathers or embroidery to elevate the look, these were sometimes magnified with sumptuously pearlescent baroque beads, which also appeared on cuffs, rings and earrings, with a nod to the iconic Dior Tribale. Flat sandals featured a couture jersey ribbon to match the dresses they punctuated. Conjuring an allure steeped in a hint of rebellion, double-wrap black leather belts were worn over monochrome white, accentuating the waist and producing subtle plays of contrast. A pluralistic image of free, powerful femininity.