Majestic Moiré

Enhancing the silhouettes in the Dior spring-summer 2024 haute couture collection with an extra touch of grace, Maria Grazia Chiuri’s use of moiré reflects her determination to push ever further the limits of excellence. A journey of discovery made possible thanks to the time-honoured savoir-faire at the maison Benaud. By Mathilda Panigada.

Culture - News - Savoir Faire
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Culture - News - Savoir Faire
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© Melinda Triana © Atelier Benaud @museetissuslyon

“Fabric is the only vehicle for our dreams, but it’s also a promoter of ideas. It can be the starting point for our inspirations. Many a dress is born of it alone.”

– Christian Dior

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© Laora Queyras

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© Laora Queyras

Moiré’s changing, undulating effects give it a unique, instantly recognizable identity. Its visual resonance conveys the idea of “the movement of life”, as Christian Dior said in describing the vital spirit that makes a dress beautiful. Historically used in the eighteenth century for court dress and ecclesiastical costumes, it has punctuated various eras without ever losing its noble, almost sacred dimension. For the Dior spring-summer 2024 haute couture collection by Maria Grazia Chiuri, it became the vehicle for exploring the links between textiles and feminine power. Emancipating itself from its roles as mere adornment, protection and ornament, the garment becomes the symbol of an expression of power, be it political, spiritual or religious.

That aura shined in a series of captivating looks – reinterpretations of silhouettes designed by Christian Dior in the Fifties – magnified by this singular material. There were new iterations of the timeless Bar suit, in bronze or cherry red; a coat with a wide lapel paired with a tulle skirt trimmed in a delicate cascade of feathers; a tie-dyed millefeuille gracefully accompanied the body’s movements; a draped strapless dress was embellished with countless precious embroideries. Designed by the founding couturier for the Profilée line in 1952, the La Cigale dress was reconsidered in two refined, ultra-structured reinventions, subtle tributes that radiated the essence of moiré in marvellously graphic contours.

It was at Lucien Lelong that, as I became familiar with the craft, I learned the importance of this most essential principle of couture: the use of fabrics. With the same idea and the same fabric, a dress can be a success or a complete failure, depending on whether or not you know how to direct the material’s natural movement, which must always be respected.

— Christian Dior

Such feats were made possible thanks to a creative dialogue with Maison Benaud, which since 1991 has been committed to perpetuating the rare, specialized crafts that bring moiré fabrics to life. Located in the heart of France’s silk capital, Lyon, and founded on the model of the Fabrique Lyonnaise (the city’s traditional industry), the company collaborates with numerous players in the textile arts, including the atelier Moire Maire, one of the world’s last specialists in moiré finishing and embossing, founded in 1873. Guillaume Maire is the fifth generation to run the family business, passing down more than a century and a half of living memory with the exacting standards and passion that are essential to making these exceptional fabrics, which demand infinite mastery.

For her collection, Maria Grazia Chiuri selected a “moiré libre” whose undulations are the fruit of poetic handiwork combined with an ancestral technique of absolute meticulousness.

Thus, after the selection of fibres (chosen for their brightness and matte finish), the weaving and the dyeing comes the first step, dossage, which consists of cutting the material into two parts and layering them one atop the other to create the moiré aspect. This is followed by straightening, known as moirage. The pieces are positioned against artificial lighting, while the craftspeople use precise gestures to trace the path of the moiré, guiding its movements as vibrations of light dance across the canvas in a captivating choreography. Lastly, a process called calendering fixes the motif as the material is compressed between two rollers at a temperature exceeding 100° Celsius. Under that pressure, the warp and weft twist and curve, creating hypnotic variations of shadow and lustre, iridescence and nuance. The fabrics are then separated, mirroring one another in perfect uniqueness. A ballet fabulously orchestrated to the millimetre, the ultimate celebration of the quintessence of haute couture.

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© Laora Queyras

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